Rags are pulped in a Hollander
beater. Neutral pH size (glue) is added at this stage. Coloured papers are dyed
in the beater using direct dyes from Ciba and Clariant which are ISO 9001
accredited and meet European standards on effluence and toxicology.
Handmade papers are made sheet by sheet, not in a continuous roll. Pulp is
poured onto the paper mould, a wooden frame with a woven wire mesh cover, which
has a second frame, the deckle, on top.
The sheet is formed on the mould in a vat of water. The characteristic deckle
edges of the sheet of paper come from the thinning of pulp between the deckle
and mould.
The mould is lifted from the vat and the sheet is laid or couched onto a
woollen felt. Another felt is placed on top and the process is repeated. When a
pile of sheets interleaved with felts has been made they are pressed to remove
excess water. Rough surfaced papers retain the impression of the woollen felt.
Smooth papers are cold pressed between zinc sheets.
Papers are loft dried. After drying, sheets are tub sized (surface sized)
with gelatine which produces a hard, water resistant surface. This is the
traditional way of sizing paper for watercolour, allowing watercolour to be
worked over the surface without penetrating the paper.